Southern Africa

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21 European chromos of Boer culture and the Boer. The French and German support for the Boers is evident, with one confectioner showing a Boer hurling chicoree at the British. In another case a Boer is presenting a Zulu with a package of biscuits. Paul Mairess Chicoree, Ogden’s Cigarettes, Will’s Cigarettes, Player’s Cigarettes, Helmar Cigarettes, Recruit Little Cigars, Peek Frean & Co., Cacao Suchard, Aecht Seelig’s Stern Kaffee, Amidon Remy, Solution Pautauberge (in Greek).

Price: $630.00

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Five British chromos on the 1879 Zulu War by Player’s Cigarettes.

Price: $150.00

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Late 19th/early 20th century Pellerin print by Imagerie D’Epinal. Titled Le Petit Boer. It is a story of how a Boer child named Piet, along with his young friends, captured British soldiers while they slept. The last frame reads: “General Delarey couldn't help but laugh at young Piet's seriousness. The prank was truly funny, and it had taken a great deal of determination from the little fellow to pull it off. The general embraced him in front of the entire Boer army and appointed him honorary field cornet.”

Price: $200.00

NOTE: The Imagerie d'Épinal ( Vosges ) was originally a printing house founded in 1796 by Jean-Charles Pellerin and where the first images of Épinal were engraved in series. Initially a craft, Epinal imagery gradually became a real industry. The imagery initially used an image engraved in a wooden block ( xylography ). The sheet was then printed using a hand press, called a " Gutenberg ". Then the colorist intervened: using stencils, he applied the different colors necessary to finish the work with a round brush. Around 1850 , the appearance of lithography offered greater possibilities to the artist. Nevertheless, the images of Épinal still represented only 2% of the volume of images peddled in 1860. From 1829 to 1845, the imagery celebrated the Emperor Napoleon Bonaparte, his family, his marshals, his armies and his victories. Under the influence of Rousseauist thought, mid- nineteenth - century society began to see children as consumers. Riddles, dolls to assemble, and soldiers entered the catalog of imagery. At the dawn of the 20th century, the production of imagery was known throughout the world. Puppets, paper theatres, constructions and then, during the First World War , military subjects were all areas where dissemination was significant.

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12 colonial postcards of disparaging images of native South Africans.

Price: $360.00

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21 colonial postcards of native habits in South Africa. Shown are hair dressing, sorceress, witch doctor, carrying mealies, markets, drawing water, native wedding, g mealies, markets, drawing water, native wedding, local initiation, food preparation, dancing, ricksha boys, form of greeting, male adornments

Price: $0.00

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10 colonial postcards of Zulu women and their habits.

Price: $300.00

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23 colonial postcards of Zulu women and their habits.

Price: $690.00

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7 colonial postcards of different male types of South Africa. Shown are zulu, fingo, zambesian.

Price: $210.00

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12 colonial postcards and 12 small commercial photos reflecting the results of the “civilizing” mission and the stereotypes it created. Some interesting observations on reverse, such as “native boys in family clothes not much use however in the drapery business” and “servant boy in Durban.

Price: $480.00

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14 colonial postcards of native family life in South Africa, different types of hut construction.

Price: $420.00

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